{"id":4509,"date":"2026-06-25T16:18:50","date_gmt":"2026-06-25T19:18:50","guid":{"rendered":"https:\/\/cinemaeafins.com.br\/trilhas\/?p=4509"},"modified":"2026-06-26T00:48:03","modified_gmt":"2026-06-26T03:48:03","slug":"a-agencia-temporada-2","status":"publish","type":"post","link":"https:\/\/cinemaeafins.com.br\/trilhas\/a-agencia-temporada-2\/","title":{"rendered":"A Ag\u00eancia (2026) – Temporada 2"},"content":{"rendered":"
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A Viacom International<\/strong> divulgou os detalhes da trilha sonora de A Ag\u00eancia<\/strong> (The Agency), s\u00e9rie de suspense e espionagem do Paramount+ estrelada por Michael Fassbender<\/strong> (C\u00f3digo Preto<\/a>) e Jeffrey Wright<\/strong> (Vivo ou Morto: Um Mist\u00e9rio Knives Out<\/a>).<\/p>\n

O \u00e1lbum re\u00fane uma sele\u00e7\u00e3o da trilha sonora original da segunda temporada, composta por Emilie Levienaise-Farrouch<\/strong> (Todos N\u00f3s Desconhecidos) e Lindsay Wright<\/strong> (Black Ops). O lan\u00e7amento digital est\u00e1 previsto para esta quinta-feira, 26 de junho. Confira a lista completa de faixas abaixo.<\/p>\n

<\/p>\n

\"Capa<\/a>
A capa oficial da trilha sonora da segunda temporada de A Ag\u00eancia destaca Michael Fassbender e re\u00fane as composi\u00e7\u00f5es de Emilie Levienaise-Farrouch e Lindsay Wright.<\/figcaption><\/figure>\n[\/vc_column_text][vc_column_text css=””]\n

\ud83c\udfb5 Trilha Sonora de A Ag\u00eancia (2026) – Temporada 2<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
#<\/th>\nFaixa<\/th>\nDura\u00e7\u00e3o<\/th>\n<\/tr>\n<\/thead>\n
1<\/td>\nSamia in the Car<\/td>\n2:41<\/td>\n<\/tr>\n
2<\/td>\nUnderground<\/td>\n2:16<\/td>\n<\/tr>\n
3<\/td>\nSledgehammer<\/td>\n1:47<\/td>\n<\/tr>\n
4<\/td>\nViking<\/td>\n2:12<\/td>\n<\/tr>\n
5<\/td>\nSamia in a Cell<\/td>\n1:40<\/td>\n<\/tr>\n
6<\/td>\nA Source Abroad<\/td>\n3:13<\/td>\n<\/tr>\n
7<\/td>\nPopeye<\/td>\n1:40<\/td>\n<\/tr>\n
8<\/td>\nThree Million<\/td>\n1:06<\/td>\n<\/tr>\n
9<\/td>\nBlackspot<\/td>\n1:18<\/td>\n<\/tr>\n
10<\/td>\nThe Delivery<\/td>\n1:35<\/td>\n<\/tr>\n
11<\/td>\nPopeye’s Father<\/td>\n1:20<\/td>\n<\/tr>\n
12<\/td>\nKhartoum<\/td>\n0:52<\/td>\n<\/tr>\n
13<\/td>\nUAE Man<\/td>\n1:24<\/td>\n<\/tr>\n
14<\/td>\nIn Pursuit<\/td>\n1:11<\/td>\n<\/tr>\n
15<\/td>\nThe Meeting<\/td>\n1:17<\/td>\n<\/tr>\n
16<\/td>\nMemories of Samia<\/td>\n1:12<\/td>\n<\/tr>\n
17<\/td>\nIs Darya OK<\/td>\n2:07<\/td>\n<\/tr>\n
18<\/td>\nKant’s Laws<\/td>\n1:16<\/td>\n<\/tr>\n
19<\/td>\nArrival<\/td>\n1:44<\/td>\n<\/tr>\n
20<\/td>\nTransmission<\/td>\n1:52<\/td>\n<\/tr>\n
21<\/td>\nHolding Pattern<\/td>\n1:38<\/td>\n<\/tr>\n
22<\/td>\nDeep Blue<\/td>\n1:10<\/td>\n<\/tr>\n
23<\/td>\nBring Me the Hammer<\/td>\n2:17<\/td>\n<\/tr>\n
24<\/td>\nYours for the Taking<\/td>\n1:26<\/td>\n<\/tr>\n
25<\/td>\nNot All Broken<\/td>\n0:59<\/td>\n<\/tr>\n
26<\/td>\nThe Footage<\/td>\n0:50<\/td>\n<\/tr>\n
27<\/td>\nSaeed<\/td>\n1:56<\/td>\n<\/tr>\n
28<\/td>\nLate Conversation<\/td>\n1:22<\/td>\n<\/tr>\n
29<\/td>\nHappily Married Man<\/td>\n3:54<\/td>\n<\/tr>\n
30<\/td>\nCIA Impersonator<\/td>\n1:07<\/td>\n<\/tr>\n
31<\/td>\nStatus Update<\/td>\n1:32<\/td>\n<\/tr>\n
32<\/td>\nPrice of Your Freedom<\/td>\n2:14<\/td>\n<\/tr>\n
33<\/td>\nCompromised<\/td>\n1:37<\/td>\n<\/tr>\n
34<\/td>\nConsequences<\/td>\n2:11<\/td>\n<\/tr>\n
35<\/td>\nThe Truth<\/td>\n3:08<\/td>\n<\/tr>\n
36<\/td>\nGremlin’s Report<\/td>\n1:17<\/td>\n<\/tr>\n
37<\/td>\nThe Game Is Over<\/td>\n1:56<\/td>\n<\/tr>\n
38<\/td>\nProof<\/td>\n2:42<\/td>\n<\/tr>\n
39<\/td>\nNils<\/td>\n1:13<\/td>\n<\/tr>\n
40<\/td>\nGas Station Call<\/td>\n1:25<\/td>\n<\/tr>\n
41<\/td>\nFinding Water<\/td>\n1:19<\/td>\n<\/tr>\n
42<\/td>\nCrossing the Line<\/td>\n1:17<\/td>\n<\/tr>\n
43<\/td>\nSuccessful Detonation<\/td>\n2:48<\/td>\n<\/tr>\n<\/tbody>\n
\ud83d\udd52 Dura\u00e7\u00e3o total: 1h 15min 01s<\/td>\n<\/tr>\n<\/tfoot>\n<\/table>\n[\/vc_column_text][vc_column_text css=””]